#brand #logo #identity

GPT ImageБренд и логотип

[BRAND NAME] | [COLOR = brand color or AUTO] | [OBJECT = physical objec…

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Полный промпт

[BRAND NAME] | [COLOR = brand color or AUTO] | [OBJECT = physical object or AUTO] | [HEADLINE = text or AUTO] | [SUBHEADLINE = text or AUTO]

Act as a Luxury Brand Campaign Art Director creating a single vertical hero product poster — a studio CGI composition where [BRAND NAME]'s hero product sits on top of a physical object. The entire image is driven by [BRAND NAME]'s real brand identity, real products, and real cultural associations. References: Diesel 1DR bag campaign, Supreme product drops, high-end fashion product CGI posters.

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PHASE 0: BRAND INTELLIGENCE — AUTONOMOUS EXTRACTION

COLOR SYSTEM: if [COLOR] is provided by the user — use that exact color as the primary driver for the entire background gradient and ambient lighting system. Do not override it with brand colors. If [COLOR] is AUTO — identify [BRAND NAME]'s most iconic primary brand color and use that. In both cases: this single color becomes the entire background — a rich saturated radial gradient from a brighter more luminous version of this color at the center to a deeper darker version at the edges. The background is monochromatic — one color family only. All objects in the scene reflect and pick up this color — their surfaces are tinted by the ambient color of the environment.

HERO PRODUCT: identify [BRAND NAME]'s single most iconic current hero product — the one product most associated with the brand right now. This product sits on top of the object and is the star of the composition. Rendered in photorealistic CGI — all materials accurate to the real product, all hardware and branding details correct. The product's own colors are visible but influenced by the strong ambient background color — every reflective surface picks up the background hue.

CULTURAL OBJECT: if [OBJECT] is provided by the user — use that exact physical object as the base pedestal. Render it with maximum physical realism — correct materials, correct construction details, correct scale relative to the hero product. If [OBJECT] is AUTO — autonomously identify the single most culturally resonant physical object associated with [BRAND NAME]'s world — not the product itself but the environment or culture the brand lives in. In both cases: the object must be large enough to physically support the hero product on its top surface. The object fills the lower 40 to 50% of the frame. Its surfaces pick up the background color as strong colored ambient reflections.

BRAND TAGLINE: identify [BRAND NAME]'s official tagline — appears below the main wordmark in small tracked caps. Always AUTO — taken from real brand documentation.

HEADLINE TEXT: if [HEADLINE] is provided by the user — use that exact text as the large campaign headline in the lower zone. If [HEADLINE] is AUTO — identify or derive the most powerful real campaign statement authentic to [BRAND NAME]'s documented tone of voice and current campaign language.

SUBHEADLINE TEXT: if [SUBHEADLINE] is provided by the user — use that exact text as the body copy below the headline. If [SUBHEADLINE] is AUTO — derive a real brand descriptor sentence authentic to [BRAND NAME]'s product and mission.

PRODUCT IDENTIFIER: identify the specific product name or model code for the hero product — appears as a small badge element in the lower left alongside the logo.

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PHASE 1: BACKGROUND

Pure studio background — a single seamless color field derived from [COLOR]. Radial gradient: the center zone behind the stacked objects is the most luminous saturated version of [COLOR]. The gradient falls off toward the edges and corners becoming progressively deeper and darker — the same hue but 40 to 60% darker at the frame edges. No texture, no surface, no environment — pure atmospheric color. The gradient is soft and organic — a natural light falloff. The overall effect: the objects appear to be lit from within the color itself.

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PHASE 2: BASE OBJECT — PEDESTAL

The object from PHASE 0 rendered as a large physical object filling the lower 40 to 50% of the vertical frame. Centered horizontally. Shot from a slightly low angle — top surface and front face simultaneously visible, giving the object presence and weight. Material rendering: all surfaces pick up [COLOR] strongly — the ambient color bounces into every reflective, glossy, or metallic surface. The object feels like it belongs in this color world — saturated by the environment, not neutrally colored. Every specific material detail authentic to the real object is fully rendered — texture, construction, hardware, wear patterns, any branding or markings on the object itself. The object must look physically real and three-dimensional — not a prop, not a simplified CGI object. A real physical thing.

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PHASE 3: HERO PRODUCT — TOP ELEMENT

The hero product from PHASE 0 sits directly on top of the object — physically resting on its top surface, centered horizontally, occupying approximately 35 to 45% of the frame height. The product is the highest point of the composition — its top edge reaches into the upper third of the frame. Rendered with maximum material fidelity — every texture, every hardware detail, every stitch or construction element accurate to the real product. Reflective surfaces catch [COLOR] as strong colored reflections. The product's own logo or branding mark is clearly visible and correctly positioned. The product casts a soft shadow on the object surface below it. A slight gap of ambient shadow between the product base and the object surface confirms the product is resting on top, not merged into it.

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PHASE 4: TYPOGRAPHY SYSTEM

Upper zone — centered: [BRAND NAME]'s wordmark in large white bold type — official typeface, correct proportions. Below the wordmark: brand tagline in small white tracked caps — generous letter-spacing. Both elements pure white against the saturated background.

Lower zone — campaign headline: [HEADLINE] text in large italic bold white type — left-aligned or centered, large and commanding, occupying 2 to 3 lines maximum. The headline is the most dominant typographic element in the lower zone — approximately 8 to 10% of poster height per line.

Below the headline — subheadline: [SUBHEADLINE] text in small regular weight white type — NOT italic, NOT bold, strictly upright roman style. 2 to 3 lines, left-aligned. Font size approximately 1.2 to 1.5% of poster height — noticeably smaller than the headline, readable at normal viewing distance but clearly secondary. The subheadline is the quietest typographic element in the lower zone — it does not compete with the headline for attention.

Lower left corner: two badge elements side by side — [BRAND NAME]'s wordmark in a small rounded rectangular badge with [COLOR] background and white text, and the product name/model identifier in a second small badge. Small and precise — like product labels or hang tags.

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PHASE 5: LIGHTING

Single dramatic overhead studio light — positioned directly above the composition, slightly in front. Creates: bright specular highlights on the highest surfaces of both the object and the hero product — topmost surfaces are the brightest zones. Strong colored shadows falling downward — deep and rich with [COLOR]. The ambient color bounce is intense — every surface in the scene is bathed in [COLOR]'s reflected light. Metal surfaces catch the strongest colored reflections. Leather, suede, rubber — all pick up the color cast. No natural light, no environmental context — pure studio color world.

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PHASE 6: COMPOSITION

Aspect ratio: 4:5 portrait. The two stacked elements centered horizontally, occupying the central 60 to 70% of frame width. Base object: lower 40 to 50% of vertical frame. Hero product: middle 35 to 45% of vertical frame. Typography upper zone: top 20 to 25% of frame. Typography lower zone: bottom 15 to 20% of frame. The stacking creates a clear visual hierarchy — grounded object supporting the elevated premium product. Reading order: bottom to top — object context → hero product → brand i

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