NOVEL NIGHTMARE DREAMSCAPE 📚🌙💀💜💚 this is based of @Nodoka_Katana o…

#dark fantasy #horror #anime art #character design #dreamscape #the dark tower #gothic #book illustration

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NOVEL NIGHTMARE DREAMSCAPE 📚🌙💀💜💚 this is based of @Nodoka_Katana o…

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完整提示词

NOVEL NIGHTMARE DREAMSCAPE 📚🌙💀💜💚

this is based of @Nodoka_Katana original idea also credit to @MagsNoctis for testing

Today’s Prompt of the Day turns your character reference image into a 21:9 ultra-wide horror dreamscape.

Your character has fallen asleep after reading a classic horror novel. On one side, they are curled up in a chair with the book resting naturally on their lap or beside them. On the other side, the room dissolves into the world of that selected story, pulling the character into the dream as a protagonist, survivor, villain, monster, haunted figure, or whatever role fits them best.

Use the BOOK SELECTOR at the top.
Leave it blank for random, or type a title or number from the novel pool.

Have fun with this one 📚💀

............................PROMPT STARTS HERE............................

BOOK SELECTOR:
[Leave blank for random, or type the novel title or number you want here.]

NUMBERED NOVEL POOL:
1. Carrie, 2. 'Salem's Lot, 3. Rage, 4. The Shining, 5. The Stand, 6. The Long Walk, 7. The Dead Zone, 8. Firestarter, 9. Roadwork, 10. Cujo, 11. The Running Man, 12. The Dark Tower: The Gunslinger, 13. Christine, 14. Pet Sematary, 15. The Talisman, 16. Thinner, 17. Cycle of the Werewolf, 18. It, 19. The Eyes of the Dragon, 20. Misery, 21. The Dark Tower II: The Drawing of the Three, 22. The Tommyknockers, 23. The Dark Half, 24. The Stand: The Complete & Uncut Edition, 25. The Dark Tower III: The Waste Lands, 26. Needful Things, 27. Gerald's Game, 28. Dolores Claiborne, 29. Insomnia, 30. Rose Madder, 31. The Green Mile, 32. Desperation, 33. The Regulators, 34. The Dark Tower IV: Wizard and Glass, 35. Bag of Bones, 36. The Girl Who Loved Tom Gordon, 37. Dreamcatcher, 38. Black House, 39. From a Buick 8, 40. The Dark Tower V: Wolves of the Calla, 41. The Dark Tower VI: Song of Susannah, 42. The Dark Tower VII: The Dark Tower, 43. The Colorado Kid, 44. Cell, 45. Lisey's Story, 46. Blaze, 47. Duma Key, 48. Under the Dome, 49. 11/22/63, 50. The Dark Tower: The Wind Through the Keyhole, 51. Joyland, 52. Doctor Sleep, 53. Mr. Mercedes, 54. Revival, 55. Finders Keepers, 56. End of Watch, 57. Sleeping Beauties, 58. The Outsider, 59. The Institute, 60. Later, 61. Billy Summers, 62. Gwendy's Final Task, 63. Fairy Tale, 64. Holly, 65. Never Flinch

BOOK SELECTION RULE:
If the BOOK SELECTOR contains a title, use that exact novel as the selected novel.
If the BOOK SELECTOR contains a number from 1 to 65, use the matching numbered novel from the pool.
If the BOOK SELECTOR is blank, internally choose one random number from 1 to 65 first, then use the matching numbered novel from the pool.
Do not bias toward the first titles in the list.
Do not default to The Shining, It, Carrie, or other highly recognizable titles unless their number is randomly selected or the user types them.
Show the selected novel title clearly on the book cover in the image using clean, readable text.
Do not copy an official cover exactly. Use an original cover treatment that clearly shows the chosen title.

SOURCE LOCK RULE:
Lock the entire image to one selected story only.
Do not mix imagery, characters, monsters, locations, props, or iconography from different novels.

SOURCE PRIORITY RULE:
First determine whether the selected story has a recognizable screen adaptation with clear visual iconography, such as a film, miniseries, or major TV adaptation.
If a recognizable screen adaptation exists, use that adaptation as the only visual source for the dreamscape side of the image.
If no recognizable screen adaptation exists, use the original novel as the only visual source for the dreamscape side of the image.
Do not blend multiple adaptations together.
Do not mix book-specific imagery with screen-adaptation-specific imagery if a screen adaptation is being used.
Choose one source version only and stay consistent to it.

STYLE SAFETY RULE:
Do not treat the selected novel, its author, or its adaptation as an art-style request.
Do not imitate any living author’s writing style.
Do not imitate any specific artist’s style.
Only depict the selected story’s setting, imagery, atmosphere, and narrative world.

Use the attached character reference image as the only character identity reference.
The attached reference image is the full identity source for the character design.

Character reference rules:
- Preserve the attached character’s face shape, hairstyle, hair colour, eye colour, body language, signature colour palette, key outfit motifs, species traits, accessories, silhouette, and overall character vibe.
- The final design must still clearly look like the attached character.
- Do not redesign the attached character into a different person.

Hard style rule:
Preserve the attached reference image’s visual art style and character identity throughout the entire scene.
If the reference is anime, keep it anime.
If it is stylized, keep that stylization.
Do not turn the character photorealistic unless specifically requested.

Scene concept:
Create a 21:9 ultra-wide cinematic illustration.
The image should show the attached character falling asleep in a chair after reading the selected novel.
The left side should begin as the real-world reading moment.
The rest of the image should become a dreamscape of the character imagining themselves inside that one selected story.

Dream interpretation rule:
Deeply analyze the attached character’s vibe, personality, design language, and overall presence.
Based on that, decide what role suits them best inside the selected story.
They may appear as the protagonist, survivor, outsider, hero, anti-hero, villain, monster, haunted figure, or another major dramatic role that fits the selected story.
The dreamscape should visually place them inside that one story in the role that suits them best.
The dream should feel like the character is imagining themselves as part of the selected story, not just standing beside it.

Left-side real-world composition:
Place a highly detailed version of the attached character toward the left side of the image, taking up roughly the left third of the composition.
Show them sitting in a chair, visibly sleepy and drifting off after reading the selected novel.
Their eyes should be closed or nearly closed in a natural falling-asleep pose.
Do not pose them as if they are still actively reading.
The book must not be held upright in front of their face while they are asleep.
Instead, place the book resting naturally on their lap, against their thigh, on the arm of the chair, or beside them in a way that clearly shows they have nodded off mid-read.
The selected book cover title should still remain visible and readable to the viewer.
This side should feel grounded, intimate, cozy, and calm, like the quiet moment just after sleep starts to take over.

Dreamscape composition:
Use the rest of the image, mainly the right side, for the dreamscape.
Show a dramatic, immersive, cinematic interpretation of the one selected story only.
The attached character should appear inside the dreamscape as an active part of that story, not as a passive observer.
Build the environment, threat, mood, props, architecture, creatures, and visual storytelling around the selected story only.
Make the dreamscape feel atmospheric, readable, and clearly tied to one specific story at a glance.

Transition rule:
Do not separate the reading room and the dreamscape with a hard border, obvious split, or clean dividing line.
The room itself should gradually and seamlessly transform into the dreamscape.
Let the selected story visibly creep into the room, and let parts of the room visually bleed into the story world.
Furniture, walls, shadows, smoke, lighting, floor patterns, windows, doors, fog, weather, hallway shapes, textures, and atmospheric elements can morph naturally from the real room into the dream environment.
The transition should feel fluid, eerie, and dreamlike, as if reality is slowly dissolving into the story.
The final image should read as one uni

可在此微调提示词，再跳转到 AI 图像或 AI 视频。

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